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Selling Your Nonfiction Book, Part I:
Finding the Right Publisher
by Moira Allen
One of the best things about writing a nonfiction book is that
you can often "sell" that book to a publisher before it is
actually written. Most nonfiction publishers make decisions based
on proposals rather than on finished manuscripts. By submitting a
proposal, you can determine whether your book has a market before
you spend months (or even years) researching and writing it.
Better yet, you can often do so without an agent.
Marketing your book via a proposal is a two-pronged process. The
first step, discussed in this article, is to find a publisher (or
several publishers) that seems "right" for your book. The second
step, discussed in Part II, is to convince that publisher that
your book is right for them.
One way to find a publisher is to simply pick up a market guide
and check the "book publisher" section. However, this isn't the
best way -- or even a very good way! For example, one leading
market guide lists 109 publishers who handle books in childcare
and parenting. However, each of those publishers is likely to
have very different interests and requirements; Charisma Press,
for example, certainly isn't going to want the same type of book
as "Celestial Arts." To narrow the field, you'll have to read
each and every one of those 109 listings -- a daunting task!
Fortunately, there's a better way.
Check Your Bookshelf
The best place to start your search for a publisher is your own
bookshelf. If you're writing about a nonfiction topic, you
probably already have several books on that topic. Take a look at
the books you've collected. Pick out the ones that you enjoyed
the most, or found most useful. There's a good chance that the
publishers of those books are the ones who will be most
interested in your proposal, because of the similarity of content
and approach. If your book will be more comprehensive than your
"favorites," look for the publisher of the most comprehensive
book on your topic to date; they might be interested in a book
that takes that topic to the next level.
Another approach is to check your bookshelf for books on a
comparable or related topic, but not necessarily the same topic.
For example, if you're writing about a craft or hobby, look at
the craft books on your shelf. Is there a publisher who produces
good books, but nothing on the topic you want to cover? Look at
publishers of broader topics -- for example, a publisher of
pet-related books who hasn't yet brought out a book on "caring
for the older cat," or a regional publisher who publishes books
about your state, but hasn't covered your specific area.
Go to the Bookstore
After you've checked your own shelves, it's time to visit the
bookstore. Find the section where you believe your book would be
most likely to be sold -- e.g., the parenting shelf, the craft
shelf, the travel shelf, etc.
Once again, your goal is to look for books on the same, or
similar, topics. See if you can find books that cover the same
general subject area. For example, if you're writing about
stained glass, look for other books about stained glass. Look for
publishers who are covering related topics but haven't covered
yours yet (or recently). Find out what, if anything, has already
been published on your topic; you don't want to reinvent the
wheel! Keep in mind that two of the questions you'll need to
answer in your proposal are "what books are already out there on
your topic?" and "how is your book different from or better than
those books?"
A bookstore may not be the only place to find books on your topic
area. Another question to ask yourself is "where do I buy the
books I like to read on this subject?" If you're writing about
pets, check the book section of a pet store. Books about local
history might be found at a local museum. If you're writing a
Christian book, check the Christian bookstore. Check the office
store for books on business and computers. Some categories of
books are sold primarily through specialty stores, book clubs and
catalogs; for example, the Military History Book Club offers
dozens of books that you would be hard-pressed to find in your
local store.
Consider running a search on your topic on Amazon.com. Thanks to
Amazon.com's new search and "look inside the book" capabilities,
you can often "browse" the results right on the screen. Finally,
don't overlook the library!
Evaluating a Publisher
Now that you have a stack of books on "related subjects," you're
probably wondering what you're looking for. How do you choose a
potential publisher from so many options? Here's a handy
checklist for evaluating those publishers:
1) Is the cover appealing? Despite the old adage, people do judge
books by their covers -- and books with unattractive covers may
sit, unnoticed, on the shelf. Does the book make you want to pick
it up and browse? Or does it make you want to move on to the
next?
2) Is the content interesting? Skim a few pages; do they hold
your attention? Do you want to read more, or are you instantly
bored, confused or "put off" and ready to put the book back on
the shelf?
3) Does the writing style match your own? If you're writing a
scholarly tome, you'll want to find a publisher who handles more
academic works; if you're writing for the "average" reader,
however, you'll want to find a publisher who puts out books
written in a more lively, general style.
4) Does the content match the "depth" of your own book? Some
books offer superficial overviews of a topic, while others
provide complex explorations that may be over the head of the
average reader. Make sure that the publisher offers books that
have about the same level of depth you want to provide.
5) What are the author's credentials? Does a travel publisher
offer books only by writers with 20 years of travel experience?
Does a self-help publisher offer books written only by PhDs and
MDs? Will your credentials be enough to get you in the door --
and convince the publisher's readership that you know what you're
talking about?
6) Does the book include illustrations? If your book will include
illustrations (such as graphs, charts, line drawings, black and
white photos, or color), look for a publisher who routinely
incorporates such elements into its books. Conversely, if you
don't intend to include illustrations, don't bother with a
publisher who produces lavishly illustrated books.
7) Would the book appeal to the audience you envision for your
book? If you consider yourself typical of the type of reader you
want to target, would you buy a book from this publisher?
8) Does the book match your audience's price range? Do you
believe your readers will cheerfully plunk down $35 for a glossy
coffee-table edition, or are they more likely to prefer an
inexpensive paperback? What would you pay for your own book?
9) Is the book well-produced? Do you like the cover, the text
style, the layout, the feel of the paper? Does the book seem
well-designed, or does it look "cheap"? Would you be proud to
have a book that looks like the one you're holding?
10) Where is the publisher located? It's generally best to look
for a publisher in your own country, at least to start with.
Worry about foreign-rights sales later. (One thing to note: If
you're doing all this research in Barnes and Noble, do not bother
evaluating titles with the Barnes and Noble imprint. These are
reprints, usually of out-of-print books and books originally published outside the U.S.)
One final thing to watch for, of course, is a book that is
"exactly" like yours. If your book has already been done, your
chances of selling it are slim. Keep in mind, however, that there
is room for a great deal of variation on a single topic. No
matter what has been written on a subject, there's usually room
for a different angle, an analysis of a less-explored topic, or a
different viewpoint. Another thing to check is the publication
date: If the last book on your subject was written ten or twenty
years ago, it may be time for an update!
The Next Step
Once you've completed your bookshelf and bookstore research, the
next step is to find out exactly what your "chosen" publishers
require. This is where a market guide can come in handy. A market
guide can often give you a capsule description of a publisher's
wants and requirements (such as whether it accepts proposals).
More importantly, a market guide can often direct you to the
publisher's Web site, where you may be able to find the
publisher's complete guidelines. (Or, just try doing a Google
search on the publisher's name.) Here's what you want to find out
next:
1) What is the submission process? Should you approach the
publisher with a proposal, a query, or a complete manuscript? Do
submissions have to be agented? (If a publisher says "no
unsolicited submissions," this usually means that you must begin
with a query.) Most publishers explain exactly what they want to
receive, including the maximum length of a proposal, the number
of sample chapters to include, and so forth. Consider this a
test: Publishers don't want to work with authors who can't follow
their guidelines!
2) What type of payment is offered? Does the publisher provide an
advance? Does it give any figures on "typical" advances? What
royalties does it offer? If possible, try to find out whether
royalties are based on "list price" (the cover price of the book)
or "net sales" (the discounted price at which the book is sold to
stores). How often are royalties paid?
3) What rights does the publisher demand? Book publishers usually
demand a fairly broad grant of rights, including translation
rights, audio rights, movie rights, electronic rights and more.
Subsequent sales of these rights are usually split 50/50 between
the author and publisher. However, some publishers demand more.
Some "series" publishers require books to be written on a
"work-for-hire" basis, meaning that you are giving up your
copyright and any future rights to the work (including the right
to create derivative works, such as sequels, or even competitive
works). Before giving up your rights, make sure that the return
will be worth it.
4) How long will it take to produce your book? The amount of time
required to actually publish a book once it has been accepted
(and delivered) varies widely -- anywhere from nine months to
three years. If your book is on a "timely" topic, a long
publication lag time can mean poor sales. Also, keep in mind that
though you'll receive your advance before the book is published,
you won't see any additional royalties until six months to a year
(or more) after it has hit the shelves.
5) Where does the publisher sell books? Do its titles appear in
bookstores? Can they be found in mail-order catalogs or book
clubs? Are they sold in specialty stores? Make sure that your
book can be found by potential readers; if a book never shows up
on the right shelves, it's not going to sell.
6) Does the publisher expect money from the author? If so, run,
don't walk, to the nearest exit: You're dealing with a subsidy
publisher. The exception is university presses, which often do
require an author subsidy. You may eventually choose to go the
subsidy or print-on-demand route -- but don't confuse that with
commercial publishing!
In short, you're looking for a publisher that you can do business
with. If a publisher offers terms that you don't like, don't
expect that publisher to change those terms for you! However,
keep in mind that going through an agent can help you retain
certain rights, or negotiate a higher advance or royalty rate.
Even if you don't use an agent to find a publisher, you may wish
to use one to help you negotiate an agreement.
The next step is making contact. The research you've just
conducted should tell you whether to approach a publisher with a
complete manuscript, a proposal, or an initial query. A query is
much like a magazine query; it's simply a short, one-page letter
that describes your book and asks whether the publisher would
like to see a formal proposal. Publishers often respond more
quickly to queries, particularly if they're not interested --
which will help you refine your search even further. Also, most
publishers don't mind receiving simultaneous queries, though many
do object to simultaneous proposals.
Sooner or later, however, you'll have to develop a formal book
proposal. And that's the subject for Part II!
Read the Entire Series:
- Selling Your Nonfiction Book, Part I: Finding the Right Publisher
- http://www.writing-world.com/publish/bookprop1.shtml
- Selling Your Nonfiction Book, Part II: Making Your Pitch
- http://www.writing-world.com/publish/bookprop2.shtml
- Selling Your Nonfiction Book, Part III: Check the Competition on Amazon!
- http://www.writing-world.com/publish/bookprop3.shtml
More Information:
- Book Publisher Links
- http://www.writing-world.com/links/bookpubs.shtml
- Sample Nonfiction Book Proposals
- http://www.writing-world.com//publish/samples.shtml
- The Writer's Guide to Queries, Pitches and Proposals, by Moira Allen
- http://www.writing-world.com/bookstore/index.shtml
Copyright © 2004 Moira Allen
This article originally appeared in The Writer.
Moira Allen, editor of Writing-World.com, has published more than 350 articles and columns and seven books, including How to Write for Magazines, Starting Your Career as a Freelance Writer, The Writer's Guide to Queries, Pitches and Proposals, and Writing.com: Creative Internet Strategies to Advance Your Writing Career. Allen has served as columnist and contributing editor for The Writer and has written for Writer's Digest, Byline, and various other writing publications. In addition to Writing-World.com, Allen hosts the travel website TimeTravel-Britain.com, The Pet Loss Support Page, and the photography website AllenImages.net. She can be contacted at
editors "at" writing-world.com.
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