A Few Minutes with Teresa Medeiros
by Gayle Trent
Teresa Medeiros is consistently on the New York Times, Publishers Weekly and
USA Today's bestseller lists. She's a four-time nominee for the highest award
given by the Romance Writers of America, the RITA, and winner of the Romantic
Times Award for Best Historical Love and Laughter. Her novel Charming the Prince received the Dorothy Parker Award of Excellence in the Missed Gem
Category. Ms. Medeiros' first hardcover, The Bride and the Beast (nominated
for Best Historical) will be available in paperback April 2001. Her latest
novel, A Kiss to Remember, is coming in hardcover July 2001. For an excerpt,
visit the author's web site at
http://www.home.earthlink.net/~termede/website2001.htm.
How do you construct your books; i.e., do you work up an outline and go
from that; do you prepare extensive character sketches?
I'm a very instinctive writer. I almost always "get" the characters'
names first, followed by some inkling of their personality. The plot follows,
then I choose the setting and time period that would best serve as a "frame"
for that particular plot. I don't do extensive character sketches because the
characters tend to tell me things about themselves and their histories as I
write. Sometimes I won't even know they have a particular childhood memory or
fear until I start writing about it. I do an outline by listing each scene
I'm sure about on a separate 4 X 6 index card. It's important for me to have
something on paper or I tend to drift. I also love the thrill of marking off
each scene as I finish it. But I usually find that each scene leads to three
more scenes I hadn't anticipated.
I read somewhere that when James Michener "felt something coming on" he
delved into research. Do you do that? Or do you develop your characters and
story line prior to working out the historical details?
I tend to research as I go because I never know exactly which details
I'll need for a particular book. I keep a stack of research books at my elbow
all the time while I write and am constantly stopping to thumb through them.
I'm afraid if I tried to research a book before I started writing, I'd get
bogged down in all of those delicious details and never start the book.
What does a typical workday for you entail?
I usually get up around 7 a.m., eat breakfast, watch Guiding Light on
tape (my guilty pleasure for the day). I'm usually at the computer by 9:00 or
9:30. I spend far more time than I should checking my e-mail. Then I start
working. I tend to review what I've done the day before first, then move on
to new material. I usually work until 2:30 or 3:00 p.m. unless I'm on
deadline. When I'm on deadline, I work nights and weekends playing catching
up. (Yes, I was the obnoxious kid who always did her book report the night
before it was due, but still got an A.)
What is your greatest writing accomplishment? Greatest disappointment?
My greatest writing accomplishment has to be remaining in this capricious
business for almost seventeen years. I know how rare it is for a writer to
get published, much less make a healthy living at it so I'm very conscious of
my blessings.
My greatest disappointment was probably the fact that fewer readers than
usual read my one western romance Nobody's Darling (April '98). I was
extremely proud of that book. It was a critical darling, winning several
awards, but there are still so many readers out there who simply won't read
westerns. If they gave it a chance, I think they'd find everything they've
come to expect from a "Teresa Medeiros book" and more.
What would you say is your inspiration?
God, my husband, and music. There wouldn't be any books without that
particular combination of ingredients.
When I first met my husband, I was still dating the obligatory "loser
boyfriend" that every girl must endure. To win my heart and woo me away from
him, Michael wrote a short story for me in which he and I had to thwart the
forces of evil and save the world. Of course, the story ended with the two of
us sharing a romantic kiss-on the page and in real life! But the beauty of it
is that I had completely lost touch with the part of me that wanted to be a
writer until he handed me that story. So guess what I did-I rewrote it and
handed it back to him. (Hey, he had the fictional me acting in ways that were
completely out of character!) That was the moment the creative fire in me was
rekindled. I started my first book in January of 1984 and we got married in
May. When I say I couldn't do it without him, I mean it!
If you weren't a romance writer, what would you be?
A pastry chef. What can I say-a girl can dream, can't she?
The Bride and the Beast is your first hardcover release. What has
this development meant to your writing career?
I'd definitely equate it to a job promotion. The paperback market went a
little soft in the past few years so publishers are constantly looking for
creative ways to expand your readership. The quality of the books are exactly
the same; it's really only the marketing that's changed. I like the fact that
it gives you two shots at the market-first in hardcover, then in paperback.
Do you have a favorite book, or one that is more special to you than the
others you've written? If so, which one and why?
Oooh, that's a tough one-like asking which child is your favorite. I
think I love different books for different reasons. I absolutely lived my
first book, Lady of Conquest. While it probably wasn't as technically
proficient as some of my later efforts, it will always hold a special place
in my heart. I was so in love with the heroes of Heather and Velvet, Thief of Hearts, and Nobody's Darling. Some books you love because they were easier to
write. Some books you love because they wrung the soul right out of you, but
you finished them anyway.
You dedicated Breath of Magic to Elizabeth Montgomery who played
Samantha on the classic television series Bewitched. Do you think Harry
Potter is the Samantha for today's generation? Why or why not?
I love Harry Potter! I'm still crushed because J.C. Penney's isn't making
Harry Potter sheets for king-size beds! Every writer should get down on their
knees and kiss J.K. Rowling's feet for delivering another generation of
readers to our doors. I think every kid has a fascination with magic. I
remember sitting in class in the third grade trying to levitate a book with
my mind instead of paying attention to the teacher. I absolutely believe that
Harry Potter taps into the same fantasies as Bewitched or I Dream of Jeannie.
Of course, those were primarily female fantasies. I'm a little bummed because
I don't think Harry would have succeeded as well if he had been a Harriet.
Girls will read about boys, but boys won't read about girls.
What's the best advice you have to offer a fellow writer?
I have to steal something from Stephen King -- Tell the story. Tell the
truth. And don't ever waste time looking over your shoulder wondering what
someone else will think of it. Quite frankly, it's none of your business.
Copyright © 2001 Gayle Trent
Gayle Trent
has been writing for several years. Her first novel,
Photo Finish, was published in October 1999. Her most recent,
Mama Liked Blue (a children's story addressing prejudice) is
available from Kudlicka Publishing (http://www.kudlicka.com). Trent lives in Virginia with her husband, two children, a huge white puppy, a mini-lop rabbit, and the neighbor's cat (it came to visit and is still there). Visit her web page at
http://hometown.aol.com/gayletrent/myhomepage/profile.html.
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