Top Ten Questions About Copyright Permissions
by David Taylor
Want a good reason to be well versed in copyright permission
codes? As a freelancer, it's your job to get permissions. And the
editor's rear end if you don't. Editors do not like getting calls
from lawyers. Makes their stomach drop and skin prickle. Lawyers
never call with good news. Only when there's trouble, the kind
that gets you noticed by people with "Senior Vice President" and
other such scary titles after their name. If you, the freelancer,
are the cause of that trouble, you will be made to pay, one way
or another. So, do not let an editor hear you ask any of the
following questions:
1. Does giving full credit in the text substitute for permission?
Not at all: The law says that copyright infringement is the
"unauthorized use." To be authorized, you must have permission
before using it, not thanks afterwards.
2. I plan to write an adaptation of a copyrighted work, do I need
permission?
Definitely: Adding a layer of copyrighted material (yours) to an
original work does not negate that original work's copyright
protection. This is especially important for screenwriters. An
option on a previously published book or life story is essential
before adapting it for the screen; otherwise, you could waste a
lot of time. Agents and producers usually will not consider or
commission a screen adaptation without a signed option agreement.
3. Do works in the public domain require permission?
Sometimes: A work may still have legal protection once its
copyright expires. The character of Sherlock Holmes is
trademarked; ideas may be protected under contract law;
information may constitute a trade secret; and human beings have
the right to control how their likeness and name are used. Make
sure the public domain work is not protected in any of those
ways.
4. Should I wait to get permission until after the manuscript is
done and I'm sure that the work is being used?
Definitely not: A copyright owner is never obligated to give you
permission, or may charge whatever he or she wishes. Your work
could become hostage to copyright permission. You could miss a
deadline. You could get chewed.
5. Do I need permission even if my work is for nonprofit,
educational purposes?
Yes: In deciding copyright infringement, courts focus on what
harm has been done to the value of the copyrighted work, not your
motives. Harm can be done by a not-for-profit publication as well
as a for-profit one. Unless you are certain that your use falls
under the "fair use" provision of copyright law, you should
acquire permission. Be conservative: it's better to know than not
know that an author disapproves of your use.
6. Do I need to get permission since the work I'm using is now
out of print?
Yes. Out-of-print does not mean out-of-copyright. Out-of-print
could be a temporary condition.
7. Since I'm using only a small portion, am I covered under the
"fair use" provision?
Not necessarily: The courts have no mathematical formula for
determining what is and isn't fair use. However, the courts have
ruled, "you cannot escape liability by showing how much of [the]
work you did not take." The prevailing issue is harm caused by
your use, not the amount. Did your use cause commercial harm to
the copyright holder? That's the bottom line.
8. The work I'm using is a U.S. government publication. Do I
still need to get permission?
No: US government publications are not copyrightable. However,
you must provide a full and accurate citation using your
publication's preferred style guide.
9. If the work doesn't contain a copyright notice, do I still
need permission to use material from it?
More than likely: For works created after 1978, statutory
copyright automatically exists when the author first expresses
his creation in "tangible form." Before 1978, works published
without a copyright notice did indeed risk losing their
protection. But not today.
10. Do anonymous works posted on the Internet require permission
for use?
Not likely but make sure: Copyright law specifically protects
anonymous and pseudonymous works, but posting anonymously in
hopes that others will share it is common on the Internet.
The need for copyright permission can be summarized thusly --
when in doubt, don't do without.
For More Information:
Everything You Always Wanted to Know about Permissions (but Were Afraid to Ask), by Brandon Trissler
Top Ten Copyright Permission Myths, by Lloyd J. Jassin
The Copyright Permission and Libel Handbook,
by Lloyd J. Jassin, Steve C. Schecter.
Every Writer's Guide to Copyright and Publishing Law,
by Ellen M. Kozak
Copyright © 2004 David Taylor Excerpted from The Freelance Success Book
David Taylor's horror and dark suspense
fiction has appeared in anthologies such as Masques, Pulphouse
and Scare Care; and in magazines like Cemetery Dance, Sci-Fi
Channel Magazine and Gorezone. His 1990 short story "Lessons in
Wildlife" earned an honorable mention in that year's "Best Horror, Science
Fiction and Fantasy" awards. Author and coauthor of five horror novels, David's
latest works are a collection of short stories, Hell is for Children,
and a guide to nonfiction writing, The Freelance Success Book. Both
are available at www.peakwriting.com.
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