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Cover Me - I'm Going In!
by John Floyd
So you've finally written that short story. You've written it,
you've polished it, and you're ready to send it out to an editor.
But wait -- don't send it yet. There's one more piece of writing
you might want to do first.
A cover letter, or covering letter as it's sometimes called, is a
way to "introduce" your manuscript -- and yourself -- to a
prospective editor. It can showcase your writing, announce your
credentials, and demonstrate your professionalism -- even before
the editor starts to read your story.
But be careful not to confuse a cover letter with a query letter.
Though they are similar in many ways, a query letter's main
purpose is to "sell" an idea, usually to an agent or an editor.
It contains a detailed description of the manuscript or project,
and is intended to convince the recipient to ask to see the
manuscript itself. A query letter is almost never used with
short fiction; a cover letter is almost always used.
What Does It Look Like?
My cover letters generally consist of two or three short
paragraphs, followed by one or two closing sentences. The first
paragraph includes the story title, information about previous
publications of this story (if any), and a reference to any
requests the editor might have made to see my work. The second
paragraph mentions publishing credits, significant writing awards,
and any personal background related to the story. I sometimes close
the letter with a short sentence like "Thank you for your time"
or "Please contact me if you have any questions," followed by
"Sincerely," or "Cordially," and my full name.
Here's an example of what I typically say in a cover letter
accompanying an unsolicited short story manuscript:
Dear [Editor's Name]:
Please consider the enclosed story, "Silent Partner." I hope
you'll want to use it in a future issue.
My publication credits include more than 300 short stories and
fillers in magazines like Grit, Woman's World, Alfred Hitchcock's
Mystery Magazine, and Ellery Queen's Mystery Magazine. Two of my
stories were recently nominated for the Pushcart Prize, and
another for the Derringer Award (by the Short Mystery Fiction
Society).
Thank you for your time.
Sincerely,
John Floyd
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Be careful not to include a detailed description of your
manuscript. A very brief description is sometimes appropriate
"a short story set in rural Mississippi," etc.), but don't overdo
it. The cover letter should never be a blatant sales pitch. Let
your story stand on its own.
A Word on Credentials
Here's a good rule to follow regarding previous publication
credits: If you have them, say so, but don't make a long list.
Mention a few of the more impressive credits and leave it at that.
It's sometimes a good idea to customize those a bit, depending on
what type of magazine you're submitting to. The editor at The
Atlantic Monthly might be more impressed to know you've been
published in The New Yorker than in Asimov's Science Fiction
Magazine. If you've not yet acquired any credits, don't apologize
for it -- in fact, don't mention it at all. According to Laurie
Henry in the Handbook of Short Story Writing, Volume II, "If you
have no previous publications, it's still a good idea to
personalize your submission with a brief (one or two sentence)
truthful statement of some kind." When I first started submitting
stories, I just said, "I am a former Air Force captain, and spent
26 years with IBM Corporation."
It's also perfectly acceptable to put in a few words about
personal experiences, IF that has a bearing on the story itself.
If you're submitting a tale about life in the Arizona desert, it
would certainly be appropriate to mention your three hikes into
the Grand Canyon, and if your story is a police procedural, the
editor might like to know that you spent a year as Assistant
District Attorney. Again, keep it brief.
Tips on the Perfect Cover Letter
Here are some guidelines to follow when you prepare a cover
letter:
- Keep it Short. Cover letters should never be more than one page in length. Half a page is about right. Do not include a
photocopied list of credits or history of your life.
- Send it to the Right Person. Always address your letter to a
specific individual when possible, not just "Dear Editor." Use
market listings or the Internet or the masthead of the publication
itself to find the appropriate editor's name, and spell it
correctly in your letter. If you're not sure of the gender, put
in the entire name ("Dear Pat Cartwright," or "Dear Editor
Cartwright"), and never address the editor by her first name
unless she has used your first name or signed her first name in
previous correspondence.
- Be Positive. Never say your story might need a little more work,
or that you would welcome the editor's criticism or advice. Also
never mention any previous rejection of this story, by anyone.
- Be Truthful. Stick to the facts. This does not, however, keep
you from putting the best possible spin on those facts. For
example, if your only publication credits are two poems in small
literary magazines and a short essay in The Paris Review, say
something like, "My previous work has appeared in several
publications, including The Paris Review." Refer to any work that
has been accepted but not yet published as "forthcoming."
- Be Professional.
Never try to be witty in your cover letter,
and especially avoid looking cocky or presumptuous. Editors hate
seeing something like "I know your word limit is 2,000 and my
story runs 4,000, but it's so good I'm sure you'll make an
exception." Also, double-check
your grammar and spelling. This will probably be the editor's
first opportunity to judge your skill as a writer; you don't
want your first impression to be a negative one.
So, you might ask, is a cover letter always necessary? In my
opinion it is, unless a specific editor's guidelines (or market
listing) tell you not to send one. "After all," says Scott
Edelstein in Manuscript Submission, "you are not merely a writing
machine sending a product to an editing machine; you are a human
being making contact with another human being. A cover letter
establishes a person-to-person relationship... between you and
the recipient of the manuscript." There is no other way, to my
knowledge, for a relatively unknown writer to do that. Why not
take advantage of it?
One final thought: the greatest cover letter in the world won't
help a substandard manuscript. The real deal, the star of the show,
and the reason for your submission is the story itself. The cover
letter only introduces it. But a good introduction never hurts.
Find Out More...
Copyright © 2001 John Floyd
This article may not be reprinted without the author's written permission.
Mississippi writer John Floyd has sold more
than 500 short stories and fillers to 100+ publications, including
Strand Magazine, Grit, Woman's World, Alfred Hitchcock's Mystery
Magazine, and Ellery Queen's Mystery Magazine. His stories have been nominated for both the Pushcart Prize and the Derringer Award.
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Becoming a successful writer isn't just about mastering great writing skills. It's also about overcoming the challenges and obstacles of the writing life: Rejection, fear of failure, lack of time, writer's block, the "Am I Really a Writer?" syndrome, and, of course, friends and family who just don't get it.
Fortunately, you're not alone. We've all been there. So here's a handy "survival guide" that will bring you inspiration, motivation, support and good old-fashioned advice to help you through the tough times. Don't let those writing gremlins keep you from achieving your dreams!
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