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Self-Syndicating Your Column
by Moira Allen
If you've been writing a column for a few months, you may want to
consider the next step: Marketing that column to more than one
publication. This is particularly appropriate for newspaper
columns, as newspaper readership is generally based on region
rather than interest -- and thus rarely overlaps. You can often
sell the same column to newspapers in different states, or even
papers in different counties or cities within the same state, as
long as you are certain that there is likely to be little "reader
overlap."
Many writers dream of national syndication, but this is
considerably harder to achieve, at least in the beginning. It's
usually easiest to start by marketing your column to an
ever-expanding list of newspapers until you've built enough of a
following to justify a larger distribution.
"Self-syndication" simply means offering a column on a
nonexclusive basis to several different publications that are not
in direct competition with one another. The best place to start
is with local and regional newspapers. Because the distribution
of such newspapers is generally limited to a specific town, city,
county or region, such a paper will not be concerned with the
fact that your column also appears in the next county or even the
next city.
Choose a Topic
You'll want to choose a subject that crosses regional
boundaries or that can be sold to a variety of publications
within a certain geographical area.
Some topics, such as health tips or parenting, are universal (or
at least tend to work well within the bounds of your own country;
other countries may have different health systems or different
ideas about parenting). Other topics, however, tend to be more
localized. If you're writing a gardening column, for example,
you'll need to tailor it to the region you're familiar with,
addressing the issues of climate, soil conditions, plant types,
etc. that apply to that region. It would be difficult to sell a
column on Northwest gardening tips to a newspaper in Arizona.
The subject of your column, therefore, will often be the first
consideration in determining where to market it.
The farther afield you choose to market your column, the less
"commonplace" it should be. While you may be the only person
writing about parenting for your home-town paper, thousands of
other writers are covering this topic for other publications
throughout the country. To break into a wider market, therefore,
you'll need to develop a column that contributes something unique
within the field -- something that will enable it to compete with
other columns that address similar topics.
The same applies to "review" columns. Reviews of books,
movies and music may cross regional boundaries (if you can create
a compelling reason for an editor to buy your reviews rather than
those of a local or nationally known reviewer). Reviews of
restaurants and events, however, tend to be much more localized
(though you might be able to pitch such a column to a travel page
as a "destination" piece).
In short, don't waste too much time trying to export a column
that has only a limited local value. Focus, instead, on ways
that you can give your column a broader appeal -- or, consider
launching an entirely new column that you can market to multiple
publications from the start.
Select Your Markets
You might be amazed to discover how many local newspapers exist
in your state or region. You can locate such newspapers through
any of the dozens of electronic "newsstands" on the Web. You can
get even more detailed information about many papers through the
Gales Directory of Media Publications, which can be found in the
reference section of your local library. While researching
newspapers online is easier, Gales has the advantage of providing
important information about circulation, frequency, and editorial
staff. If you have decided, for example, that you only want to
target newspapers that are distributed daily and have a circulation
of over 20,000, you may wish to turn to Gales.
The Annual Editor & Publisher International Year Book, available
in most libraries, lists addresses and editors of U.S. and
Canadian daily newspapers, as well as alternative newspapers and
specialty newspapers covering topics such as parenting, seniors,
ethnic groups and real estate. The E&P Year Book also gives you
valuable information on how often the newspaper is published
(daily, weekly, bimonthly), its circulation figures, whether the
paper has a Sunday magazine, and a list of the paper's weekly
sections and special editions.
Pre-screening newspapers by content and circulation is a wise
precaution. You don't want to waste time or money submitting
columns to weekly "shoppers," or papers that are clearly too
small to have any budget for freelance (or at least non-local
freelance) submissions. In addition, if a city or region is
served by more than one newspaper, you won't want to submit to
both simultaneously.
Some regions are served both by local papers and a larger state
or big-city paper. Since you don't want your column to appear in
both (or more accurately, your editors won't appreciate it if
your column appears in both), you'll need to decide which to
target first. This may not be as easy a decision as it sounds.
While a big-city paper may pay more (and will reach a larger
audience), it is also likely to demand more rights (or even all
rights) -- and is also more likely to want to post your material
on its Web site, which can further limit your ability to distribute
that column elsewhere. Smaller papers, though often offering
lower pay, may be less demanding of rights.
Define Your Terms
Your basic syndication submission package should include a simple
description of the terms you are offering, including:
- Column length (usually 750 to 1000 words is best)
- Column frequency (daily, weekly, biweekly, monthly)
- Rights offered
Rights are a key issue in self-syndicating a column. Indeed, you
should start thinking about "rights" long before you consider
self-syndication; you should think about this issue when you sell
your very first column to your very first paper.
Markets of all types are placing increasing demands on writers
for their rights. More and more publications (including
small-town newspapers) want writers to sign over all rights to
their columns, or even produce them as "work for hire" (which
means that the newspaper owns the copyright to the material from
the beginning). You may find that publications that pay as
little as $10 to $50 per column still expect you to fork over all
rights to that piece.
If you have any intention of selling your work elsewhere, you
must ensure that you retain the rights to do so. Typically, you
will want to offer a newspaper "one-time nonexclusive rights" to
your column, perhaps with the guarantee that the column will not
appear in a competing publication. An alternative is to offer
"exclusive regional rights," and define exactly what is meant by
"region." The region should be limited to the area of the
newspaper's general readership; if the paper is read only in
Yakima, Washington, for example, don't let it restrict you from
selling the same column to another paper in Seattle or Tacoma.
In some cases, a newspaper will want "first" rights. This may
work if your first column sale is to your local paper: it gives
you the ability to resell that column a week later to all your
other markets. Since only one publication can ever be "first,"
however, think carefully before granting this option.
Don't be tempted to accept more money for "all rights." The goal
of self-syndication is not to earn a huge amount from any single
publication, but to gain the widest possible distribution for
your piece. Payment for columns is always fairly limited; you're
not likely to get an offer above $500 from even the largest
paper. If you can sell the same piece to 20 newspapers that
offer $50 apiece, you've already doubled that figure-and quite
possibly doubled your readership as well. (If you have hopes of
moving on to national syndication, readership figures will be
vital to your success. It is better to be read not just by a
large number of people, but by a large number of people
distributed across a wide range of markets.)
Finally, you'll want to determine a minimum rate you're willing
to accept. Some small newspapers still offer as little as $10
per column-but that amount can add up quickly if you can sell
your column to several papers. Debbie Farmer, who syndicated her
column "Family Daze," sets her fee by a standard formula: 50¢ per
1000 subscribers.
Prepare Your Package
Self-syndication has one downside: Expense. Many newspapers
still prefer to receive column proposals by surface mail than by
e-mail. Often, a column proposal needs to be reviewed by more than one editor, and it's easier to have a printed proposal and set of samples in hand than to pass around an e-mail (or to have to print one out). This means that to pitch your idea to multiple
markets, you'll have to invest in postage, printing, and
envelopes. Your submission package should include:
- A cover letter describing your proposed column (be sure to list
the terms you are offering)
- Three to six sample columns
- Clips
- Supporting materials, if desired
- A SASE, or
- A self-addressed, stamped postcard that provides "check boxes"
for an editor's response
Many editors prefer a postcard to a SASE, as it enables them to
quickly check off the appropriate response, rather than having to
prepare a formal letter of acceptance or rejection. Your
postcard might read something like this:
Date: __________________
Dear (Your Name):
Thank you for submitting your proposal for a column titled
"Natural Health Tips for Seniors."
____ We would like to use this column on a weekly basis. We will
pay you a fee of $__________ for one-time, nonexclusive rights
(with a guarantee that the column will not appear in a directly
competing publication).
____ We regret that we cannot use your column.
(Signed) _________________________
Editor's Name: __________________________
If you plan to submit your column to a large number of
newspapers, you'll probably want to have these materials
printed in bulk. Have your cover letter printed on a
good-quality paper stock; your clips and column samples can be
printed on plain 20-lb. bond. Most print shops will also be able
to print your return postcard. To save costs (and weight), print
your clips double-sided.
Follow Up and Move On
If you don't hear anything from your top prospects within a month
of your mailing, don't hesitate to follow up. Often, material
gets lost on a busy editor's desk, and a polite phone call may be
all you need to close a sale. (A follow-up letter or card
also stands a high risk of being lost in a shuffle of papers.) An e-mail message may also be appropriate.
Don't be surprised if an editor wants to modify the terms of your
agreement. Some may wish to suggest a lower price, or a
different word count. It's up to you to decide whether to accept
such modifications. If you will be distributing your column to a
large number of publications, attempting to tailor the material
to each one individually may not be worth the effort. On the
other hand, if you've received little response to your mailing,
this can be a good way to build a solid relationship with one or
two newspapers, which can lead to better rates and additional
assignments later.
If you still don't hear anything after following up on your
initial mailing, don't be surprised. Many newspaper editors
simply do not respond to material they don't plan to accept, so
you may never receive any word from many of your markets. Don't
be insulted; simply move on to the next prospect.
Self-syndication is a wonderful way to build your portfolio. Be
sure to ask for copies of the issues in which your column
appears, or at least for a tearsheet of your column. Once you
have a regular column with a local paper (even if it's not local
to you), you can list yourself as a "contributor" or "stringer"
to that publication. This may be just the stepping-stone you
need to propel your column into the big leagues -- such as
national syndication.
For more information, see Syndicating Your Weekly Column, by Elizabeth Laden.
Copyright © 2001 Moira Allen
Excerpted from The Writer's Guide to Queries, Pitches and
Proposals.
Moira Allen, editor of Writing-World.com, has published more than 350 articles and columns and seven books, including How to Write for Magazines, Starting Your Career as a Freelance Writer, The Writer's Guide to Queries, Pitches and Proposals, and Writing.com: Creative Internet Strategies to Advance Your Writing Career. Allen has served as columnist and contributing editor for The Writer and has written for Writer's Digest, Byline, and various other writing publications. In addition to Writing-World.com, Allen hosts the travel website TimeTravel-Britain.com, The Pet Loss Support Page, and the photography website AllenImages.net. She can be contacted at
editors "at" writing-world.com.
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