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Writing the Personal Essay
by Mridu Khullar
When I declared that I didn't want to get married, challenged
age-old customs and decided to move out of my parents' house to
be on my own, it came as a huge shock my somewhat orthodox Indian
family. The day after the announcement, when my mother fainted
and fell terribly ill, I did what any desperate woman in my
situation would have done.
I got online.
"Now what?" said my group e-mail to friends. The only writer on
the list responded: "Write about it, you geek."
Now as I sit in the soon-to-be-mine apartment allocating space to
my magazines, files and CDs, and go on regular rounds of grocery
shopping, that essay is making rounds of its own. As it passes
through the desks of editorial offices in the hope of finding an
equally precious home, it serves as proof that every memory,
belief, desire, complaint, apprehension or hunch can be captured
by the writer in what is commonly known as the personal essay.
But not many writers start out with dreams of becoming essayists.
We want to be journalists, short story writers, novelists or even
travel writers, but rare is the scribe who sets out to be an
essayist. Personal essays happen by accident, when in the process
of setting out to find stories, we end up finding ourselves.
Every frustration, adulation, inclination, anguish or misery then
becomes fodder for the personal essayist's pen.
Find your "I"
Personal essays are not about the discovery as much as they are
about the process of making that discovery. They're about the
exploration. The path chosen, the road traveled. You can't come
away from writing an essay without knowing a little something
more about yourself. An essay cannot be formed without digging
deep inside you and finding something, anything, that may come as
a surprise, even to you. You then pass on this gift of knowledge
to your readers in the form of a humorous anecdote, a story of
self-actualization or just a narrative tale. But at the heart of
each essay lies the writer's "I." And it is this I, the journey
and the depth of your understanding, that shape the way your
readers react to you.
But personal essays don't necessarily have to be about
life-changing moments. They can be anything -- a personal triumph, a
lesson learnt in an unlikely place or a memory that stood out for
some reason. It's your interpretation of the world around you,
and how your perception of things changes with events, that plays
the important role. Focusing on a theme or a message when
painting this canvas with colorful words for your readers can be
a great way to lead the story up to its climax.
Take the journey together
Through your words, you form a relationship with your reader. The
keyword here is intimacy. Only by confiding the most personal
parts of you to your reader can you hope to inspire, teach or
touch a nerve. Necessary, then, is not only the ability to be a
skillful narrator, but having a thorough grounding in reality,
and the ability to portray an accurate picture of events.
You're not just telling the reader what happened, you're showing
her your experience of it. You're making her see what it is to be
frightened, concerned, angry or upset about the situation you're
in. So instead of telling her what you went through, give your
reader a map and a place on the backseat, and allow her to
experience the journey from her view of the window.
To do this though, you'll need to tap into your daily
experiences. Many writers do this by keeping a journal. No
journey in life is as simple as going from one point to the
other. By journaling daily, you can make sense out of the
disconnected dots and join them together. You're essentially
training yourself to be more observant of the little things
around you, and to find inspiration from the things that often go
unnoticed. It's these insignificant things when brought into
perspective that make the reader sit up and go, "hey, me too!"
Focus on the story, not the words
As a new essayist, I often cared more about the words than I did
about the story, constantly trying to sound clever and
sophisticated. So when Chicken Soup for the Soul rejected all my
beautifully-worded slices of life, but selected the most
basically structured portrayal of a broken heart, I realized it
was all about depth. And that depth comes with understanding --
of yourself, and of the story.
Each time you look at your piece with fresh eyes, you'll find a
new dimension to it. So go ahead, play with metaphors, sprinkle
dialogue, and lead your readers down a path of sensory detail.
But don't forget the most important thing -- the story. In the
end, no matter how you choose to write it, it's about opening
yourself up to your readers. It's about making them laugh, cry
and learn through your experiences, right along with you.
Give the reader take-away value
In the book The Art of the Personal Essay, Phillip Lopate
writes, "The personal essayist looks back at the choices that
were made, the roads not taken, the limiting familial and
historic circumstances, and what might be called the catastrophe
of personality."
And that's what it is, really. In life, and in our own personal
experiences, things are never as they seem. Nothing is simple and
straightforward. It's your job, as the personal essayist, to take
the reader by the hand and guide her to those places inside the
self where things become clear -- where there is but one
universal truth, which comes out of the wisdom gained through
your experiences.
Don't forget the market
Like with any other genre, if you're writing to sell, you need to
become familiar with the ins and outs of the market and write
within the boundaries of a particular publication. Word length,
topics, the level of details -- all these things then become
important considerations for an editor when judging your work for
publication. Nothing beats studying the style of the publication,
and focusing your material to meet the needs of the market.
Target markets aren't just limited to local newspapers; national
magazines often have last-page essays and sections dedicated to
first-person stories.
So if you find yourself constantly relaying stories of your
adventures, love to inspire and educate, and don't mind cutting
open a personal vein or two, venture into the world of
first-person writing. Getting personal might just be your thing.
Copyright © Mridu Khullar 2006
Freelance journalist Mridu Khullar loves to travel to new and interesting places, meet fascinating people and hear their stories, and in the process, find some of her own. Her work appears in several national and international publications including ELLE, Yahoo.com, Chicken Soup for the soul, Writer's Digest, World & I, and the Times of India. She lives and works out of New Delhi and has the mandatory writer's coffee addiction and temperamental muse. Visit her online home at http://www.mridukhullar.com
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